In one of the opening scenes the film’s theme is flashed across the screen in mock seriousness: “Revenge is a dish best served cold.” By using so many of the old standby formulaic themes from a host of action films, you can’t help but think you are viewing many such films all at once. Kill Bill is played as a pure revenge tale that never takes itself seriously for a Batman moment.
It is hoped that the Tarantino believers will wait with their tongues hanging out of their mouths for the next installment promised some four months later.
Weinstein’s astute business-like thinking is why the film not only gets the viewer once, but shoots for a double-dip. To annoy even its heartiest supporters it also comes without a final payoff, as the fun-loving Quentin and Miramax’s money-loving Harvey Weinstein leave their payoff in the sequel, at the obvious urging of the Miramax people.
#All chapters in kill bill volume 1 movie
If you got the sense of humor to go with all the gore and B movie cliffhangers and inanity randomly poured across the bloody screen, this can be viewed as one of the greatest action escapist films ever made by a nerd. The director seems to be laughing to himself at how easy it is make such a mindless film. It’s intended as exploitation entertainment with perhaps gaudy pretensions of being somewhat heavier than its surface material, though it should please mostly those who are impressed by a filmmaker who is so assured of his talents that he creates a film that glides along so effortlessly cinematic. The thin story is crammed with bloody nonstop action, unbelievable action characters, a 10-minute homage to Japanese anime and too many in jokes involving a multitude of B film references to personal tidbits about the auteur, so that even knowledgeable film buffs shouldn’t feel comfortable they got them all.
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Kill Bill appeals mostly as a smartly done flick addressed to a grownup audience that never got over their adolescence, as it brings back sweet memories when they and the filmmaker went to the local movie house’s Saturday matinee to see such trashy B films and serial chapters. Kill Bill is a hipster’s love letter to the 1970 Hong Kong actioners and Japanese samurai and blaxploitation thrillers and many other lowbrow adventure vehicles such as spaghetti westerns and yakuzas, that plays as style over substance. It is his first directorial effort since 1997’s Jackie Brown. Quentin Tarantino’s (“Reservoir Dogs”/”Pulp Fiction”) fourth film Kill Bill: Volume 1 is a showing off of his muscular filming techniques in the name of pop-culture. “ One of the greatest action escapist films ever made by a nerd.“ Fox (Vernita Green), Lucy Liu (O-Ren Ishi), Sonny Chiba (Hattori Hanzo), Kenji Ohba (Sushi barkeep), Chiaki Kuriyama (Go Go Yubari), Jun Kunimura (Boss Tanaka), Julie Dreyfus (Sofie Fatale) Runtime: 110 MPAA Rating: R producer: Lawrence Bender Miramax 2003) (director/writer/producer: Quentin Tarantino cinematographer: Robert Richardson editor: Sally Menke music: RZA/Quincy Jones cast: Uma Thurman (The Bride), David Carradine (Bill), Daryl Hannah (Elle Driver), Michael Madsen (Budd), Vivica A.
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